

ART NEWS EVENTS
A similar piece to the one right above. Unfinished as a complete gourd, but made a good vase piece for someone.
'Turquoise tear drop' approx 2ft x 7ft on wood panel
Collaborative mural demo with fellow artist Dwayne Manuel located at the Salt River HS. Dwayne's basket interpretation on the left...mine on the right. 8ft x 12ft
Gyruss 2013. From the Artcade exhibit.
Barrio Cafe offices. For Chef Silvana Esparza Salcido.
Barrio Cafe offices. For Chef Silvana Esparza Salcido.
Dreamscape. A recent drawing that woke me up one morning. Images thrown down on paper and slightly tweeked in digital format. A long time family friend and elder wrote something about this that hits it pretty close.
"Woman of the earth, Etoi above, humanity holding hands in support of life, the man in the maze all, your contemporary Ponca/Tohono Od'ham style juxtaposed in both traditional and modern expressions" - Sergio Maldanado
Last month my friend Hugo Medina organized a mural panel painting event during Phoenix's 1st annual Phoenix Festival of the arts. There were an estimated 80 artists and 160 4ft x 8ft panels. The pic above is a piece of what I contributed. Good event, good vibes.
A quick shot of a piece on a garage door(that was saved). New Mexico Snow 2012.
A preview of a piece that was completed Jan 1st 2013
Undisclosed located(for now). To the right of this piece(not pictured) is a beautiful airbrushed mural by Angel Diaz. To the left(not pictured) will be a piece by Lalo Cota. I'll try to follow up with an update once Lalo and a 4th artist has started and completed another mural.
"Decipher is the exhibition that will focus on Thomas “Breeze” Marcus’ visual insights to large aerosol painting. These good-sized panels show magnified line work that feel like they were cut out of a larger mural and placed in this space. The new images from Breeze originate from graffiti, a world that has heavily influenced his artwork for over 15 years. Also, utilizing an inert traditional foundation Breeze’s interwoven forms closely resemble Native American(Tohono and Akimel O'odham) basket weaving. This combination profoundly impacts his style showing that he is amongst the distinguished muralists in Phoenix.
What is interesting about this body of work is the endless variety of designs. Slightly recognizable as letters yet not intentional, the organic layering of the lines gives a sense of perpetual movement. That energy, then, is illuminated with spray paint. The rich color selection amplifies the atmosphere within the black line. Here, Breeze gives the viewer a glimpse into infinity by “making something out of nothing”.
Decipher will talk about social connections. Deciphering what the line means: words, forms or figures? Trying to make sense of these multiple layers involves open thought of abstract mixed with a graffiti edge. However the work is deciphered the end result enlarges tradition in a new contemporary way. Using imagination to identify the forms becomes hours of study and entertainment.
Universal human ideas have brought this artist to stand out in the crowded streets. Breeze’s work ethic and discipline adds to the character of his style showing integrity by bringing something legitimate to painting table. This exhibit closely examines the larger painting in a smaller format.
Niba DelCastillo is a photographer from Tucson that Breeze invited to participate in Decipher. He will portray a dozen pieces that document outdoor public murals and graffiti in Phoenix. These photographs will show the importance of these large-scale paintings and their relation to the community. Visual education better defines the artists and their murals creating a better understanding of our culture. For more information on murals in our downtown neighborhoods check out: www.phxtaco.com"
-Ken Richardson
1st Studios is located near downtown right next to the historic Westward Ho. 1st Studios was the first Television studio in the valley as well as the home for the original local Wallace and Ladmo television show.
Photo by Niba DelCastillo
News 12 doing interviews with Lalo and myself.
Finished. Not sure on the exact measurements but I believe its around 15 ft x 60 ft...give or take
Hugo at work
view from above
Last months project in Lac Du Flambeau inspired me enough to want to repeat the flower patterns as in the LDF mural. Hugo did all the portraits as well as Flamenco dancers and Guitar players. I brought in the Arizona sunset with the help of a film student who was eager to try aerosol. The turquoise Mayan hieroglyphics I felt would be fitting in the corners. End result...a mural of diversity, inspiration and hope. Piece completed and hanging without the large stretcher bars.
Protect the Peaks Art Installation from Tom GreyEyes on Vimeo.
This past week, a local(Phoenix) creative publication featured an article on the recent "Painted Desert Project" that myself, Thomas Greyeyes and several other international artists participated in over the summer up on the Navajo Reservation.Unfortunately "they" failed to represent my friend Tom...not a single mention or even a photo of his work...And in my opinion Tom should have been the main one featured out of all the artists, because he is the only Dine(Navajo) artist who participated in the mural projects.
Thomas Greyeyes and his contributions to the Painted Desert Project
Thomas Greyeyes and his contributions to the Painted Desert Project
However...aside from this project(Whom Jetsonorama along with Yote organized)...The Navajo Nation has been a canvas for muralists and artists from the reservation for years. The infamous windmill water tanks(along with other structures) that are EVERYWHERE on all parts of the rez have been used as a platform for everything from Original art that reflects the culture of the Dine people, as well as being used as a form of media to advertise the voice of protest against Coal Mining and water contamination, to water rights and as well as the issue of Protecting sacred sites such as the Peaks in Flagstaff(which is a sacred site to the Dine and Hopi).
TO'EI'INNA(Water is life) and a rez dog.
My frustration here is not just against the recent publication's failure to mention my friend Thomas...Its bigger than that. I notice how the art world(and the world in general) can be at times(superficial and egotistical). I see certain sites and blogs that only showcase a "who's popular" contest. I am all for more art in the world and even support and admire all the other artists who were involved in the Painted Desert Project...however there are so many great artists who go unnoticed for not only the quality and skill in their work, but more importantly the messages and deep rooted meanings in their work that they put out there.. which in many cases hold far more validity in relation to sociological issues and show strength and power through the philosophies and psychological factors that illuminate from their work.
The amount of Native artists who put in work is amazing but again often overlooked. It reminds me of the era of the late 70's and early 80's when Haring, Basquiat, and Warhol were the big names coming out of NYC...but names such as Dondi, Tracy 168, Taki 183, Stay High 149, Vulcan, Coco 144, Seen and so many more subway train writers...never got the recognition they deserved...and probably put in more hard work..blood, sweat and tears...than the first 3 mentioned.
This entry is me showing love to my fellow brother and artist Thomas Greyeyes... and the numerous other Native artists who represent harder than most...I could say so much more but instead.. At this time Id like to recognize some of those influential artists(Renegades of Funk)...
Tom Greyeyes, Averian Chee, Razelle Benally, Rebekah Miles, Douglas Miles, Xiana Clitso, Jeff Slim, Cy Wagoner, Patrick Cloudface Burnham, Randy Barton, Saba, Closer, Melissa Cody, Rose Simpson, Dwayne Manuel, Navem, Erode, Eter, Angel Diaz, Mike 360, Nomas, Lynette Haozous, Nahshon Russell, Myron(Falling Star), Vansler, Ryan Singer, Jeremy Singer, Jerrel Singer, Chris and Debra Pappan, Micah Wesley, Bobby Wilson....and to the young native kids who are just finding their voice and power through creativity....and so many many more. Please forgive me if I forgot to add your name...but know you are recognized.
We recognize ourselves as human beings and our relation to this earth...therefore we carry on this legacy of creative intelligence through balance and continue our survival and place in this world...
Thomas Greyeyes "Decolonize/This is Indigenous peoples land/ Protect Mother Earth"
"Our Existence is Our Resistance"